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Kendrick lamar good kid maad city film
Kendrick lamar good kid maad city film















He subtitled the album A Short Film by Kendrick Lamar, and there is something palpably cinematic about it. city (Interscope/ Aftermath/Top Dawg Entertainment), Lamar took his show widescreen. But with the release last fall of his proper major-label debut, good kid, m.A.A.d. Hailing from the MC hotbed of Compton, Lamar has been cranking out increasingly adventurous mixtapes since he was a teen, at first under the name K.Dot (a moniker he later abandoned). When you think of Compton, there is this idea that it’s numb with negativity.įew hip-hop stars have arrived as fully formed as 25-year-old Kendrick Lamar. Lamar toured America behind Section.80, watching thousands of people scream every one of his words back to him, reveling in a connection with his fans that runs as deep as his lyrics.Putting a positive light on where I come from is important to me. 2011’s Section.80, released independently through iTunes, moved thousands of copies with no promotion and established Lamar as an songwriter with something meaningful to say to his generation, one that hadn’t been spoken to with as much respect and conviction by any other artist. I want my legacy to be about who I am as a person, not just as an artist. Kendrick Lamar’ is more mature and I can talk more about what I want to do with my life. Dot, receiving cosigns from rappers like Lil Wayne and Game, before dropping the moniker and going by his birth name in 2009.

#Kendrick lamar good kid maad city film series

Lamar released a series of mixtapes as K. up-and-comers like ScHoolboy Q, Ab-Soul, and Jay Rock. He’d also signed with Top Dawg Entertainment, now home to other L.A. Lamar idolized Tupac Shakur growing up, and by 16, he’d recorded his first mixtape, under the name K. That bothers me still to this day, bein’ scared of failure. Then this little chick said the answer and it was the right answer, my answer. The mayhem going on around him couldn’t stop Lamar from getting good grades, but he found school frustrating: This is always in my head: There was a math question that I knew the answer to, but I was so scared to say it. My moms and pops never said nothing, ’cause they were young and living wild, too, he said in a 2011 interview. I’m six years old, seein’ my uncles playing with shotguns, sellin’ dope in front of the apartment. Long before Kendrick Lamar was redefining the boundaries of rap, he was a kid growing up in Compton in the 1990s, trying to stay out of trouble. Lamar raps with hypnotizing precision, in triple time and in different voices, recalling the moments of dizzying theatricality of Eminem’s The Slim Shady LP and combining them with the unglamorous grit of Nas’ Illmatic. Good kid, m.A.A.d city landed in the tiny overlap between popular adoration and critical respect, selling more copies in its first week than any other debut album in 2012 and earning massive nods from Pitchfork, The New York Times, MTV and hundreds of other outlets. Like a lot of eternal characters from literature and film and a lot of ordinary kids, Lamar finds himself torn between the temptation to do wrong and the wisdom to do right. It’s a classic album that feels like a classic movie, deftly weaving moments from Kendrick’s life together to form a narrative that becomes an empathetic ode to a troubled and dangerous place. 2012’s good kid, m.A.A.d city, Lamar’s major label debut album, is a sprawling masterpiece of technical rapping and structured storytelling that defies and expands the conventions of his genre. The crowd starts chanting, Kendrick! Kendrick! Kendrick! and the way Lamar reacts begins to explain why his presence in rap, as a proudly ordinary and honest guy with an extraordinary gift, is so necessary and so refreshing: Kendrick Lamar gets choked up.Ī little more than a year later, Lamar released the album that silenced listeners who doubted that he deserved to be crowned or thought he’d have to change to reach mainstream success. Those West Coast icons, gangster rap torchbearers for two decades, crowded around Kendrick Lamar and hugged him and declared him the new king of the West Coast. Dre looking down from the balcony seats, Lamar was joined on stage by Snoop Dogg, Kurupt, and Game. The moment that signaled 25-year-old Top Dawg Entertainment artist Kendrick Lamar’s rise from West Coast underground cult hero to mainstream superstar happened on stage at a hometown concert in during the summer of 2011. Standard Explicit Version Now Includes: Bitch, Don’t Kill My Vibe feat.















Kendrick lamar good kid maad city film